Inspector Spoon was the most beautiful and intelligent cat I've ever had the honour of meeting! Over the past few months, he was fighting cancer. He left us last night.
Just in case you were wondering where I've been.
I'm not a fan of January and I'm thinking 2011 is pretty shite.
Back in February.
Gnod are "an ever evolving creature that sheds its skin and grows anew, it’s hard to pin down precisely who, or what, Gnod are. This bleeds into their music as well; steeped firmly in psychedelia but drawing from influences as disparate as Afro-beat, krautrock, drone, jazz and dance music, their recent release with White Hills, Drop Out, is a deeply immersive illusion of repetition whereby its motorik rhythms underpin a myriad of hypnotic textures. As a band they’re always creating, hours and hours of jams of which they occasionally see fit to release to the wider world. I say occasionally; since their formation in 2007 they’ve had at least twelve full-length releases and claim to have had many more. These appear out of nowhere though, with no fanfare or attention; Gnod aren’t wilfully elusive, but there is a mysticism that surrounds them nonetheless, an ever changing cast and a lack of information about them ... they keep themselves to themselves mainly, in a collective residency at Salford’s Islington Mill – a creative arts space where they live and rehearse." Quietus
Quite concise really. Gnod often get tarnished with the label of space rock and get compared to Hawkwind. I really don't get that at all. This is Kosmiche inspired psychedelia all the way down! The freak 'n' roll of Ash Ra Tempel, the motorik beat of Neu! and the groove of early Can. Add the punk-funk of, say, the MC5, the repetition of Suicide or Spacemen 3 and garnish with the psychotic theatre of Sunburned Hand Of The Man and you're closer to the truth. However, this isn't meant to date them or bind them in cultural reference points...Gnod are quintessentially Gnod!
I've listened to Gnod for ages and love them. However, I'm ashamed to say that I hadn't seen them live. That is until this year's Supersonic Festival. That's when it all fell into place for me! They were a quite literal revelation. That's when the collective spirit and joy really shone through. Completely inspirational. Gnod seem to be constantly touring the UK and have started to branch out into mainland Europe. Whenever you get the chance, go and see Gnod live! Which brings me to Islington Mill, the spiritual home of Gnod and a shining beacon in the mainstream sludge of Manchester. If you are anywhere nearby...keep an eye on this place! Gnod play here all the time but you will get to see everyone from Melt Banana to Sun Araw, Dieter Moebius to Acid Mothers Temple, Sunn O))) to Chris Corsano.
Gnod have just released a split lp (with A Middle Sex) on Blackest Rainbow. There are only 400 of these so I'd grab it now if I were you.
Thanks go to Gnod for being very supportive of this post going ahead!!!
Goodbye 2010. Hello 2011.
2011 belongs to Gnod!
2007 - Gnod - Abstehen Der Ohren & Live Birth [self-released]
2007 - Gnod - Lord Fear's Dream, Bulletproof Awareness & Pixiedust
2007 - Gnod - Never Nothing Ever (Volume III) [self-released]
2008 - Gnod - The Somnambulist’s Tale (s-sided C100) [sloow tapes]
2008 - White Hills & Gnod - Aquarian Downer (tour cdr) [white hills music]
2009 - Bong & Gnod - Split (cdr) [box records]
2009 - Gnod - Gnod (lp) [pariah child]
2009 - Gnod - Sex, Drones & Broken Bones (or secret pathways to hidden lands)
2009 - Gnod - The Crystal Pagoda (C40) [sonic meditations]
2009 - Gnod - Wuste Zeremonie (cdr) [reverb worship]
2009 - Gnod White Hills - Drop Out (tour cdr) [drug space records]
2010 - Gnod - Full Moon Ritual (C45) [cabin floor esoterica]
2010 - Gnod - Science & Industry (C60) [not not fun records]
2010 - Gnod & Robedoor - Bored Fortress (7'') [not not fun records]
2010 - Gnod Drop Out With White Hills II (2xlp) [rocket recordings]
Gnod plus Fonik - Supercluster (net release) [electronic musik]
Gnod vs Noise Research - Galaxy Being (net release) [electronic musik]
Captain Beefheart - Under Review
Apparently, because this dvd is bigger than a gigabyte you need to have an account with MU. To quote Flava Flav..."fuck that shit"...
Under Review.part1
Under Review.part2
Under Review.part3
The Artist Formerly Known as Captain Beefheart
BBC documentary first broadcast in 1997, narrated by the late, great John Peel.
The Artist Formerly Known as Captain Beefheart
Anton Corbijn / Don Van Vliet - Some Yoyo Stuff - An Observation Of The Observations Of Don Van Vliet
Anton Corbijn / Don Van Vliet - Some Yoyo Stuff
The Greatest Album Ever Made!
Trout Mask Replica
You already know who they are...
Part 1
Part 2
Part 3
Obviously (the) Boredoms are one of the finest finest fine things. Ever wanted to buy this one?
SUPER SEEEEEE!!!!!!
Between 1983 and 1989 the Butthole Surfers were the finest band in the world (apart from the times when I thought somebody else was). I want Human Cannonball played at my funeral. I think they disappeared up their wormhole after Hairway To Steven...
it's a VHS rip
Blind Eye Sees All
I have very little time for black metal...I find it rather lame, theatrical and self-absorbed. However, this doc is pretty good. Tools dressing their ultra-far right racist xenophobic shite as a war against the establishment. An education is a good idea...
Satan Rides The Media [Satan Rir Media]
American "punk" had a rather tortured history...blemished in a rather major and unforgivable way by the Orange County knuckle heads and the sub-metal meatheads who jumped on their local bandwagon and then showed their true colours by the second album...show me an American punk band post 86...go on I dare you!
part 1
part 2
part 3
part 4
part 5
part 6
part 7
part 8
part 9
Amps For Christ is largely the project of Man Is The Bastard and Bastard Noise veteran and metal/noise pioneer Henry Barnes. Beginning in 1996, when Henry met the like-minded Enid Snarb the project (which has also included Joel Connell and Tara Tavi) has largely operated out of Claremont, California ever since. Barnes decided that he wanted to combine his experience with experimental noise and extreme metal with his love for traditional folk music, classical composition, and jazz. Henry has been building odd stringed instruments, pre-amps and amplifiers for years and used them occasionally in his previous outfits. With Amps For Christ he really began to focus on chasing down these new sounds. The warp in the harmonic scale, experimentation with waveforms and beat-tones are matters of great intrigue in this project. Amps For Christ is about combinations of many styles of music, emphasising the multi-cultured, multi-layered, and multi-genre composition as well as broadly ranged themes. Many tracks deal with love, peace, warmongers, rampant corporate capitalism, and Barnes' relationship with God all with a similar mystical honesty. Even if I suspect there may be a tongue implanted in a cheek somewhere down the line...
There hasn't been any new AFC releases for years although I think that there have been some recent tours...so hopefully there will be some new releases soon!
1997 - Amps For Christ - Thorny Path [vermiform]
1997 - Amps For Christ & Two Ambiguous Figures - The Beggars Garden [shrimper]
1998 - Amps For Christ - Songs From Mt. Ion [total annihilation]
1999 - Amps For Christ - Circuits [vermiform
1999 - Amps For Christ - Electrosphere [shrimper]
2001 - Amps For Christ - The Oak In The Ashes [shrimper]
2003 - Amps For Christ & Bastard Noise - Split [helicopter, kill frank lentini]
2004 - Amps For Christ - The People At Large [5 rue christine]
2006 - Amps For Christ - Every Eleven Seconds [5 rue christine]
From the IMDb website: 'People Who Do Noise' is a film about the experimental music of Portland, Oregon. Extensive interviews and intimate performance footage provide an intense portrait of the motivations, emotions, and methods that go into this uncompromising, sometimes brutal musical form. Unwavering in its focus, the film brings to light an art form unfathomable to many, with only the words of the musicians themselves providing any explanation for the pulsating sonic chaos they create. The unflinching cinematic style defies any trend-setting or commercial representation, opting instead for a stark portrayal of a musical underground at its most genuine and vital.
There's a couple of other reviews here and here and you can buy it here and check the makers here.
Request from the shoutbox. This was posted on Terror Noise Audio a while back but the links are dead...no evidence that the post was pulled...so here it is again.
Part 1
Part 2
Kousokuya are a Tokyo-based underground dark psychedelic rock group. They were formed in 1978 by guitarist Jutok Kaneko out of the ashes of an older group called Kokugaiso. The classic trio line-up that recorded the first album, and reformed in recent years was: Jutok Kaneko (guitar, vocals) Ikuro Takahashi (ex-High Rise, Fushitsusha) (drums) Mick (bass, vocals). Other members have included Hiroshi Yokoyama (synth, 1978-1979), Toshiko Watanabe (drums, 1979), Asahito Nanjo (bass, 1982-1983), Munehiro Narita (drums, 1982-1983), Atsushi Ishiguro (drums, 1983-84), Hibari Nagao (drums, 1994-1997), Emily (bass), Sachiko (vocals, synth, bass, 1995-2003) and Michinobu Matsubashi (drums, 2000-).
The group were heavily associated with the Minor scene in the late 70s and early 80s but released only a handful of recordings internationally, and scant more in their local Tokyo underground scene. As far as I am aware, Kousokuya only released one studio album in their 28 years as a trio with the rest of their output being live recordings. Even these were largely unavaiable outside of Japan until recently. This goes a long way to explaining why bands like High Rise, Mainliner, Fushitsusha et al are legendary and rightly lauded whilst Kousokuya slipped under the radar...
Kaneko passed away on January 24th 2007, but the group has since continued as a duo.
1990 - Kousokuya - 1st (2003 reissue) [p.s.f. records]
1995 - Kousokuya - Ray Night 1991-1992 Live [forced exposure]
1997 - Kousokuya & Masayoshi Urabe - The Dark Spot [p.s.f. records]
2001 - Kousokuya - Live Osaka 09.21.01 [bootleg]
光束夜 - Live 逆流虚空 (Live Gyakuryu Kokou) [p.s.f. records]
2006 - 光束夜 - First Live 1979 (Kichijoji Minor) [p.s.f. records]
2007 - 光束夜 - Echoes From Deep Underground [archive]
Echoes From Deep Underground cd
Echoes From Deep Underground dvd
2007 - Kousokuya - Ray Night [ray night music]
Maja Solveig Kjelstrup Ratkje is a Norwegian avant-garde composer and performer. She, of course, releases a wide variety of music but also performs music for films, installations, theatre, dance and performance art. Maja is a member of the Norwegian free improv group Spunk with Lene Grenager, Kristin Andersen and Hild Sofie Tafjord. She performs and records with Hild Sofie Tafjord as the brilliant electronics/noise duo Fe-Mail, and performs as Agrare, with Hild Sofie Tafjord and the Swedish dancer Lotta Melin. She has also played with the Oslo Industrial Ensemble, No Spaghetti Edition with Evan Parker and Rhodrie Davies, Paal Nilssen-Love, Masami Akita (Merzbow), Zbigniew Karkowski, Gino Robair, Jaap Blonk, Oslo Sinfonietta and Lasse Marhaug. She has performed a chamber opera by Dagfinn Rosnes, especially written for her voice, among many other things such as Icelandic film music by Hjalmar Ragnarsson and performing her own music for Ibsen's play "Ghosts" at the Northlands festival in 1999. Maja briefly describes her music and motivations here:
Most of Maja's work is (surprisingly) still available if you look hard enough. I've not included some of the most recent releases. Hopefully, you will find this music as enthralling as I do and start to search it out for yourself!
Maja S. K. Ratkje
2002 - Maja Ratkje - Voice [rune grammofon]
2002 - Maja S. K. Ratkje & Jaap Blonk - Improvisors [kontrans]
2004 - Maja S. K. Ratkje & Lasse Marhaug - Music For Loving [bottrop-boy]
2005 - Maja S. K. Ratkje & Jaap Blonk - Post-Human Identities [kontrans]
2005 - Maja S. K. Ratkje & Lasse Marhaug - Music For Faking [clu clux clam]
2006 - John Hegre & Maja S. K. Ratkje - Ballads [dekorder]
2006 - Maja Ratkje - Adventura Anatomica [semishigure]
2006 - Maja S. K. Ratkje - Stalker (lp) [important records]
2008 - Maja S. K. Ratkje - River Mouth Echoes [tzadik]
Maja S. K. Ratkje - Fra Websiden
Fe-Mail
2004 - Fe-Mail Featuring Lasse Marhaug - All Men Are Pigs
2004 - Fe-mail - Syklubb Fra Hælvete [important records]
2005 - Fe-Mail - live @ wooden octopus skull festival 2005.09.10 flac
2005 - Fe-mail - Voluptuous Vultures [psychform records]
2006 - Fe-mail - Blixter Toad [asphodel]
2006 - Fe-Mail & Carlos Giffoni - Northern Stains [important records]
Spunk
1999 - Spunk - Det Eneste Jeg Vet Er At Det Ikke Er En Støvsuger
2001 - Spunk - Filtered Through Friends [rune grammofon]
2002 - Spunk - Den Øverste Toppen På En Blåmalt Flaggstang
2005 - Spunk - En Aldeles Forferdelig Sykdom [rune grammofon]
Finland's Doktor Kettu is Petri Hagner, Jussi Lehtisalo, Tuomas Niskanen, Alpo Nummelin and Jouko Salenius. Jussi Lehtisalo is probably best known for being part of the tightly structured krautrock of Circle and the stoner doom of Pharoah Overlord. With his side-project, Doktor Kettu, we're given formless and improvised soundscapes made by three guitars, bass, and drums.
There really are some great attempts to capture the experience of a Doktor Kettu release: "True caveman rock, but under heavy sedation. Like a bunch of semi-comatose zombies letting their guitars feedback deep in a tunnel while the drummer sometimes wakes up, stunned, hitting the skins a few times and then succumbing to the world of the undead once again"; "a Finnish drug thing you wouldn't understand"; "imagine a cross between Circle and Thuja" or "imagine Hawkwind or Acid Mothers Temple locked in a cave with broken instruments"; "installments from some massive on-going jam still happening right now"; "slow, meandering, very stoned ambient psych jamming to the max" and quite possibly my favourite..."imagine if you had neighbors who lived below you in a WWII bunker and all they did all day was listen to certain Fushitsusha albums...this is what you might hear through the floor." Basically, Doktor Kettu sounds like a rock'n'roll band being thrown down a well in low gravity.
The Kettu project appears to have been born simply because five friends wanted to get together to enjoy themselves! No info, no publicity and no tours that I'm aware of. The first five cdrs were all released simultaneousy with no fanfare and very little information in editions of a 100 a piece and quickly disappeared. The sixth arrived quickly after in an edition of 50. The recently released cd appears to have been recorded quite some time earlier, so who knows if we will ever get any more fresh Kettu...I hope so!
Jussi himself has described Doktor Kettu as being an "apocalyptic drone-free-psychedelic-low-fi-massacre.....three guitars, bass and drums"
Go on! You know you want to.....
2003 - Doktor Kettu - Black Zenith [super metsä]
2003 - Doktor Kettu - High Revolution [super metsä]
2003 - Doktor Kettu - I Really Like Diamonds [super metsä]
2003 - Doktor Kettu - Kriegsphilosophie [super metsä]
2003 - Doktor Kettu - Yksi Miekka Yksi Kirves [super metsä]
2004 - Doktor Kettu - Gobmi Kalansikov [haamumaa]
2009 - Doktor Kettu - Soft Delirium [super metsä]
Overhang Party were at the forefront of the highly influential Japanese psychedelic rock scene. The original line-up was Rinji Fukuoka (vocals, guitar), Koji Nishino (bass) and Iwao Yamazaki (drums). The line-up changed frequently with Rinji the only constant feature. The cast list is a long one but notably includes (at points)drummer Ikuro Takahashi who has played in Fushitsusha, High Rise, Kousokuya, LSD March and Maher Shalal Hash Baz amongst many others.
The band initially self-released the first LP in an edition of 200 before Rinji set up Pataphysique Records to release Overhang's output along with a wealth of other important works. The band's studio recorded material was limited but thankfully they made up for this by releasing a number of live slow burning psychedelic blow outs. 2003's "Out Takes..." was given away by the band at gigs at the time so I would imagine is pretty rare!
As usual with the Japanese underground, information is pretty hard to come by but there is a pretty good source here. The group folded in 2008 with Rinji going on to form the excellent Majutsu no Niwa. "High tension music results in a high voltage reaction," reckons Rinji Fukuoka and who am I to argue.
1993 - Overhang Party - Overhang Party lp [self-released]
1994 - Overhang Party - Overhang Party 2 [pataphysique records]
1995 - Overhang Party - Live 1994.8.22 At Showboat [pataphysique records]
1998 - Overhang Party - Overhang Party 4 [pataphysique records]
2000 - Overhang Party - Otherside Of (2xcd) [pataphysique records]
Otherside disc 1
Otherside disc 2
2002 - Overhang Party - Untitled
2003 - Overhang Party - Out Takes From 1996 To 2003 (cdr)
2006 - Overhang Party - Live Before And After 2004-2006 [there, musik atlach]
Live Before And After disc 1
Live Before And After disc 2
Hanatarsh is the work of Yamatsuka Tetsurō (better known as Yamatsuka Eye). Almost art terrorism in nature, it makes his work in UFO or Die and Boredoms look pedestrian by comparison. Early audiences were made to sign disclaimers waiving responsibility for any injuries caused during shows. Infamous examples of the mayhem include launching oil drums at the crowd, throwing molotov coctails, and driving a mechanical digger through the back wall of a venue as part of the performance. Now that's what I call making an entrance! He even carved into his own leg with an electric saw during one show, although that was probably an accident. Not surprisingly, the virtual (and sometimes literal) destruction of venues meant that nobody in Japan would allow him to play. When Hanatarash resurfaced during the mid '90s, it was without the extreme violence...which is either a good or a bad thing depending on whether you like wearing crash helmets at gigs!
1985 - Hanatarash - Cock Aktion vhs [condome cassex, marz]
1985 - Hanatarash - Worst Selektion c60 [pcm/mars]
1985 - Hanatarash - ハナタラシ lp [alchemy records]
1988 - Hanatarashi - 2 lp [alchemy records]
1990 - Hanatarash - We Are Nuts c10 [? ltd.]
1992 - Hanatarash - Hanatarash 3 [rrrecords]
1992 - Hanatarash - Live!! 88 Feb. 21 Antiknock - Tokyo [mom 'n' dad productions]
1992 - Hanatarash - The Hanatarash And His eYe (7'') [public bath]
1993 - Hanatarash - Live!! 82 Apr. 12 Studio Ahiru - Osaka [mom 'n' dad productions]
1993 - Hanatarash - Live!! 84 Dec. 16 Zabo-Kyoto [mom 'n' dad productions]
1996 - Hanatarash - 5 [shock city, trattoria]
1996 - Hanatarash - Total Retardation 7'' [vinyl communications]
1998 - Hanatarashi & Kyōakukyōjindan - Jigoku No Komoriuta c60 [fujiyama]
1999 - Hanatarash - 4 (aka Aids-A-Delic) [public bath]
2002 - Hanatarash, Runzelstirn and Gurgelstøck & Eb.ersonna - Tiefpunk 12'' [tochnit aleph]
2005 - The Hanatarashi - We Are Hardcore (Early Tapes Of The Hanatarashi) 5xcdr [superman cha cha]
We Are Hardcore - Disc 1
We Are Hardcore - Disc 2
We Are Hardcore - Disc 3
We Are Hardcore - Disc 4
We Are Hardcore - Disc 5
2006 - Evil Moisture & Hanatarash - Fatanarchy On Airtube [harbinger sound, tochnit aleph]
2007 - The Hanatarashi - Born To Be Wild (C10) [skulls of heaven]
Various - Helter Skelter
A1 Le Syndicat & Merzbow - Untitled 10:37
A2 The Hanatarashi - Live Akme 3:57
B1 Null - Telesma Sicut Dei 7:18
B2 Hijo Kaidan - Live At 創造道場 11/3/1980 4:36
1986 - Various - Helter Skelter (C30) [beast 666 tapes]
Various - I'm Stupid
A1 Merzbow - Great Masturbator 4:35
A2 Masonna - Copoqusl Dakuptlk 2:52
A3 The Hanatarashi - I Like Slave 2:07
A4 TV Cherubs & Solmania - D.D.A.A. Makes You Dull 0:55
A5 The Gerogerigegege - デパゴル女 Destroyed 1:35
A6 The Boredoms - M 75 2:19
1990 - Various - I'm Stupid (s-side C30) [beast 666 tapes]
Various - Japan Bashing Three
A Hijokaidan - Theme Of The Taste Of Wild West 5:50
B Solmania - Highdrophobia Part 2 5:41
C Hanatarash - Galaxy Boost & Hanataradelic Planet Dub (Sore Diamond Remix) 6:44
D Masonna - Hot Licks From A Cunning Linguist 4:05
1991 - Various - Japan Bashing Volume 3 (2x7") [public bath]
Various - Snake Is Long, Don't Fall The Audio Hole (My Father Said) - A Tribute To The Hanatarash
01 Brently Pusser - We Eat
02 Dub Nazi JFK - We Bite Bollocks
03 Emil Beaulieau - Mind Dig
04 Faxed Head - Frog Girl 90000
05 Greg Freeman - We See
06 Lee Ranaldo - My Dad Is Car
07 Thee Bringdownzz - Detroit Rock City
08 Pork Queen - Vortex Shit
09 Miss Murgatroid - No Noise
10 Speculum Fight - Gag Nuts Gum
11 Glands Of External Secretion - Boat People Hate Fuck
12 Masonna / David Hopkins - We Can Kill
13 The Now Sound - Bad Sound For Bad Ear (Megatronix)
14 Faxed Head Roadies - Apartheid Fun Club
15 Macronympha - We Are Meat
16 Macronympha - California Sleep
17 The Double U - We Hook
18 Funharm - Pisshole Surfers
19 Unknown Artist - Untitled
Various - A Tribute To The Hanatarash [stomach ache records, 1995]
It always cheers me up when there is new BSBC in the world! This came out a few weeks ago...got my copy...go get yours!
"Blue Sabbath Black Cheer returns with a new long-player CDr, pro-pressed in an edition of 250, entitled "HN"; featuring 1 new song from the gruesome terror noise duo of Blue Sabbath Black Cheer, 2 collaboration tracks from the harsh noise projects of Stan Reed and wm.Rage (Dried Up Corpse & Nervous Corps, respectively), and a 30min crushing minimalist harsh noise deconstruction of BSBC by The Rita (the opening salvo in a 2-part collaboration between BSBC & The Rita). Edition of 250 copies in a jewel-case with appropriate harsh minimalist art."
Track 1. Blue Sabbath Black Cheer - Existence Distortion
Track 2. Dried Up Corpse & Nervous Corps - untitled
Track 3. Nervous Corps & Dried Up Corpse - Pure/Filth
Track 4. The Rita & Blue Sabbath Black Cheer - Drowning Witches I
Buy It!
Too tired to say much. If you know these guys, there won't be anything too surprising here. I've been searching for their more obscure tapes and the boxes on Enterruption for years but never got even close to being able to buy them.
There's a great interview with 2 of the band here if you want to know more. Shouldn't admit this but I never knew that Blue Sabbath Black Cheer took their name from a Gravitar song (Blue Sabbath) and that Geoff appears on some of the BSBC gear.
Gravitar were an American band who appear to be influenced by K.K. Null’s work in Zeni Geva, with similar dense walls of oppresive guitar but more expansive in it's approach. Self-proclaimed as the "world's loudest Jazz band" and described by WM. Rage as "Too noise for rock, too rock for noise...". Extreme music inspired by everything from Charlie Parker to John Zorn to the sound of breaking glass. Heavy and harsh walls of psychedelic noise!!!
1994 - Gravitar - Chinga Su Corazon [charnel music]
1995 - Gravitar - Gravitaativarravitar [charnel music]
1997 - Gravitar - Now The Road Of Knives [charnel music]
1998 - Gravitar & Universal Indians - Split (lp) [american tapes, am008]
1999 - Gravitar - Live at The Gold Dollar, Detroit 1999
1999 - Gravitar - You Must First Learn To Draw The Real [monotremata records]
2001 - Gravitar - Edifier [manifold]
2001 - Gravitar - Freedom's Just Another Word For Never Getting Paid [enterruption]
2007 - Gravitar - Trail By Fire (C48) [psychform records]
YBO² (pronounced ee-boh ee-boh). A reckless, neo-progressive, psychedelic power troupe. YBO²’s predominantly self-released canon remains largely unavailable in the West. In a sense, the floating line-up represents an inverse supergroup...when they stopped playing in 1990ish (they reformed 10 years later but it didn't work out) it's members went their seperate ways and made some of the greatest music ever. Drummer Tatsuya Yoshida masterminded the hypercomplex duo Ruins (who originally featured another YBO² alumnus, guitarist-bassist Hideki Kawamoto) and is a member of Koenjihyakkei, Korekyojinn, Musica Transonic and various Acid Mothers' projects. Original YBO² guitarist Michio Kurihara abused his wah-wah in the esteemed White Heaven, played with Marble Sheep, currently participates in Ghost and has recorded and played with Boris. Kazuyuki Kishino has hammered out a host of avant-metal and noise works both on his own as K.K. Null and Null and with Zeni Geva and Absolut Null Punkt. Chu Ishikawa created the score to Shinya Tsukamoto's groundbreaking film Tetsuo the Iron Man. Hiroshi Hasegawa created Astro and C.C.C.C. It is even rumoured that, at times, the group included Masami Akita (yeah, that Merzbow bloke). I can not believe that there is a group that has ever spawned such genius!
Can't find any info on the Taiyou No Ouji lp, but here it is anyway. If anybody has any other YBO² releases...please share! Particularly the Yhwh....Black Omen II "Kingdom Of Familydream" lp
1986 - YBO² - Alienation (lp) [transrecords]
1988 - YBO² - Pale Skin, Pale Face (2xlp) [transrecords]
1989 - YBO² - Starship [victor musical industries]
1992 - YBO² - Greatest Hits Vol. 1 [sse communications]
1992 - YBO² - My Rest Place Live [sse communications]
1994 - YBO² - Greatest Hits Vol. 2 [sse communications]
2000 - YBO² - 大蜩琳 (Daejohw-Ling) [fractured sisters' secrets]
YBO² - Taiyou No Ouji.rar
Just when I thought that I would never see another VOG release that I didn't have...this just landed out of the blue!
Released on the Japanese label Vanilla Records in 1991, compiled from various unreleased tapes to make one brilliant single track cd.
1991 - Violent Onsen Geisha - Excrete Music [vanilla records]
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