Showing posts sorted by date for query gate. Sort by relevance Show all posts
Showing posts sorted by date for query gate. Sort by relevance Show all posts

Anemone Tube / Dissecting Table - This Dismal World




I really like the work of Stefan Hanser. I posted some of his Anemone Tube tapes about ten years ago to almost complete apparent indifference. So, erm yeah, fuck you! Ichiro Tsuji needs less of an introduction to all you hipster types. So, what's all this about then?

"This Dismal World is a dark concept album about the ‘Four Nobel Truths’ – the central teachings of Buddhism explaining the nature of suffering (dukkha). Legendary cult industrial act Dissecting Table from Japan and Germany’s dark ambient/industrial project Anemone Tube join forces to perambulate the stony path of the four noble truths: suffering, its causes, the possibility of its cessation and how it can be overcome. With the use of field recordings exclusively made in a mausoleum in China in 2007, Anemone Tube gains insight into the first truth of suffering, the impermanency of all forms of life and the inevitableness of death. “In The Mausoleum“ is a dark industrial epic conjuring up a sinister, threatening atmosphere. With the crushing power-electronics track “From Anthropocentrism To Demonocentrism”, based on field recordings made in buddhist temples in Nanjing and Shanghai, Anemone Tube consequentially confronts the listener with the origin of man`s craving for sense-pleasures and self-perpetuating egocentrism. Dissecting Table`s monumental industrial track “1000 Tones“ is dedicated to the 1000-armed Guanyin – being known as the goddess of compassion to save beings from suffering and ignorance. Almost like a self-mortification Dissecting Table is reciting the complete 25th Lotus Sutra about The Universal Gate of Bodhisattva Kanzeon (“the perceiver of the world`s lamentations”). Accompanying with ritual drumming, diverse analogue treatments and deep growls, Dissecting Table creates a threnody for today’s dejected world."

Released as vinyl on Peripheral Records in 2013. This is the C42 released on Black Horizons. Same year.

worn-out places, worn-out faces

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Gate - Lounge

 

Live recordings of The Dead C.'s Michael Morley with David Merritt from 1993, released as a CD by Twisted Village. 

salmon rushdie

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Gate - Lounge

 

Gate's 1993 album, released on CD by Twisted Village. 


i believe in swordfish

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Gate - Golden


A 1996 CD that reissues several of Gate's (mostly lathe-cut, very small-run) singles from the early 1990s. 


precious metal

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Gate - The Lavender Head v3

 

Self-released CD from 2001. Bleary drones and no-fi ambience from New Zealand.


dirty knobby

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Gate - The Monolake

 

Michael Morley (of the Dead C.) follows up his sublime "The Dew Line" with this marginally more accessible album released by Table of the Elements in 1996. It includes a cover of Faust's "Jennifer" which you can play at parties to get some asses on the dance floor.

mono

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Gate - The Lavender Head 1.1.1.2-2.1.2.2

 

Self-released in 1998 as a lathe cut double LP in a numbered edition of 20 copies, reissued as a proper double LP by Hell's Half Halo.

knob end 

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Gate - The Dew Line

 

Michael Morley's "The Dew Line" from 1994 is, in my opinion, the best music he's made outside of The Dead C. A huge gray downer of an album, sounding so broken and hopeless that it hardly has the energy to stand upright or keep its eyes open. Released as a CD by Table of the Elements.

dewdew-ettes

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Gate - My Dear Sweet Reluctant Sweetheart

 

Recorded in 1997 and 1998, around the same time that the Dead C. were recording Tusk and their self-titled double CD epic. Released as a double CD by Hell's Half Halo in 2000.

deer

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Gate - Live in Boston, NYC 1994

 

Gate is usually the name that the Dead C's Michael Morley uses for some of his solo endeavors. For these live performances from Boston and New York City, he was joined by Lee Ranaldo (of Text of Light) and harpist Zeena Parkins. Released by Poon Village in 1994 as a CD in a very cool silk screened sleeve.

This is Boston, not NYC

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va - Meme

Another artifact for the brief craze for fetishistic near-silence, the Meme label produced albums of minimal music with entirely-white covers and tiny grey text hidden beneath the all-white disc. The label leapt out of the gate with some winning CDs by John Hudak, Kevin Drumm & Taku Sugimoto (whose work, of course, would become so minimal over subsequent years that his albums of almost-total-silence trod dangerously close to self-parody), Nerve Net Noise (about whose Meme album the Forced Exposure website once dared listeners: "Go on, test your will to live."), Richard Youngs, and Shifts. This compilation from 1997 was the label's debut release, and worked as a sort of Meme mission statement. It contains tracks by the wonderful Sukora, Ryoji Ikeda, Stillupstepya, CM von Hauswolff, Loren MazzaCane Connors, Marc Behrens, Jim O'Rourke, Ultrasound, Rehberg & Bauer, Tamaru (an underrated bassist whose albums of stately woofer-taxing fog are absolutely worth seeking out), *0, Climax Golden Twins and more.

va - Meme

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va - Insane Music for Insane Music Vol. 10

From 1986, with music by Tara Cross, Muteual Mortuary, Urovisions, Vanishing Family, Human Flesh, Vita Noctis, Thalassa Kollektif, Instead Of, Poets of the Signature, Amor Fati, Jean-Louis Descloux, Armando Velasco Torres, Los Paranos, The Gate, Ernest Hembersin and Dvoleta Fama.

va - Insane Music for Insane Music Vol. 10

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Gate - The Lavender Head 1.1.1.2-2.1.2.2




Originally, this was an impossible to find lathe cut double LP released on Precious Metal in 1998 in a tiny edition of 30. Luckily for the rest of the world, this was re-released as a vinyl double album on Hell's Half Halo the same year in more accessible quantities.

The Lavender Head 1.1.1.2-2.1.2.2

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Gate - The Lavender Head v3




Michael Morley on a CD, recorded live and released on Precious Metal in 2001.

The Lavender Head v3

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Gate - 3M




The single that wasn't on the Golden compilation. Not surprising given that it came out five years later ...

7" released on Tonschacht in 2001.

3M

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Trash - Not Gate




Bruce Blucher and Paul Cahill on guitars and one if not both on vocals with the lovely Robbie Yeats (yeah, drummer with the Dead C ...) on drums. Brilliant awkward rock that is only possible if you are from New Zealand.

CD released on New World Of Sound in 1994.

Not Gate

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Gate - Golden

A compilation of some early Gate (aka Michael Morley of The Dead C., Tanaka-Nixon Meeting, and Wreck Small Speakers on Expensive Stereos) singles. Includes the "Julian Dashper Gate Experience" double lathe-cut 7" (released on Precious Metal in 1993), "Prophet/Rebel" 7" (Siltbreeze, 1992), "Sunshine/Ives" 7" (Twisted Village, 1992) and more. This CD came out on the New Zealand label IMD in 1996.

Gate - Golden

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Wreck Small Speakers On Expensive Stereos - A Child's Guide To ...




"Wreck..." were Michael Morley (The Dead C, Gate, etc) and Richard Ram and delivered superior twisted lo-fi rock offerings during the early Eightites. This retrospective is compiled by Bruce Russell (who is also in The Dead C) from live and studio material and comes in the form of a C60, released on Bruce's hugely influential Xpressway in 1988.

A Child's Guide To ...

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Sshe Retina Stimulants - Heaven 39




This is three sides of vinyl released on Kyle Wright's Diophantine Discs in 2006. It takes it's theme as the Heaven's Gate cult. In 1997, 39 of these deluded humans committed suicide in some bizarre preperation to join the space aliens as they passed by. Each of the bodies were found covered with a purple shroud. You can still find the cult leader's (murderer's) utterly psychotic proclamations on line but I'm not going to link him. Shame the fucker is dead ... he should be rotting in jail. The real shame is that there were people who followed him when they could have been receiving treatment and living happy lives.

Heaven 39

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Armpit - Reaches Out

Armpit, the duo of CJA and Sugar Jon, have been banging their heads against the extremes of New Zealand underground for many, many years, and have not yet made the cover of any glossy magazines. It shouldn't be a surprise that the same people who cherish the scuzz of the The Dead C. get scared off by these lunatics, but it is a shame, because Armpit make a thrilling (if frequently frustrating) howl that takes the Xpressway DIY aesthetic down several clarity pegs but still scorches and drifts in its own stubborn way. There are folk/rock song-like moves buried beneath a fog of hiss, poor microphone placement and inebriated (or otherwise chemically affected) sloppiness. There are also passages of searing free improvisation, harsh feedback noise abandon, and jarringly gorgeous drone epiphanies. If wading through what-the-fug taxes your patience, though, then you're better off sticking with something friendlier, like Birchville Cat Motel or Gate. Armpit is not for beginners, and this 5xCDr set is for an even smaller subset of the already-converted. Tracks end abruptly. Edits are made seemingly at random. Recording quality shifts with the drunken violence of a band that truly doesn't give one hoot about pleasing anybody, a trait that I find endlessly, perversely, pleasing.

disc 1
disc 2
disc 3
disc 4
disc 5

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